By Doug Gibson
Over the first weekend of 2026, I watched a Rocky marathon on AMC. It brought back pleasant memories of the franchise, which I've enjoyed nearly 50 years. This post will focus mostly on Rocky, the (deserved) Best Picture Oscar winner in 1977. But most of the rest of the films are good. Rocky 2 is a bit derivative, but fun. Rocky 3 is rollicking fun, a combination of the old Saturday morning thrillers and comic books. Rocky 4 is delightful Cold War kitsch; the final half is mostly a series of montage music videos, so very '80s. The less said about Rocky 5 the better, but the much later entry Rocky Balboa is surprisingly good. A scene where Rocky reproves -- with love -- his self-pitying son is among the best in the series. The Creed series is great too, and it's not over yet.
But let's get back to the original, Rocky. I'm amazed at how compelling, well acted and atmospheric it is; shot low-budget in the streets of Philadelphia, its biggest strength is the humility, empathy, and kindness of its protagonist, ham-n-egger boxer Rocky Balboa, (Sylvester Stallone) a lonely athlete who shelved his dreams of fistic fame to be a reluctant "thumb-breaker" for a loan shark. Rocky doesn't like who he is, but he treats other kindly; in fact, he goes out of his way to do so. He effects a tough-guy persona, but it's not him.
Here's some examples:
Early in the film, Rocky kindly attempts to mentor a young teen neighborhood girl drifting into street life. He cares about her future and in his unique street-syntac way tries to counsel her. She disses him in the end. It's poignant that as Rocky walks away he only has criticism for himself, not the girl.
Rocky makes daily visits to chat with a shy, wallflower-type woman named Adrian (Talia Shire), who works at a pet store. Her self worth is very low and she lacks the courage to mostly respond to him. Yet, Rocky, in his earnest, clumsy way, is attracted to her, and senses she likes him. As Rocky leaves, Adrian's enthusiastic final goodbye provides a hint of future romance.
Rocky's graciousness extends to his surprise invitation to meet boxing champ Apollo Creed's promoter. He's deferential and humble, asking the secretary for the invitation card back (scrapbook?). The sequence where he works to sell himself as a sparring partner for Creed to a bemused Miles Jergens is powerful. It underscores Rocky's yearning to be more than he is. His initial "no" upon learning the offer is to box Creed for the championship reveals his humble, practical side. At that point in time he knows he'd be slaughtered by the champ.
That leads to the best scene in Rocky, where gym owner and trainer Mickey offers his services to prepare Rocky for the title fight. Until then, Mickey (Burgess Meredith) has been harsh to Rocky, taking away his locker at the gym, and generally being short-tempered with him. But one never senses Mickey hates Rocky; his anger is tinged with disappointment. When Rocky presses him, Mickey erupts. He yells at Rocky, telling him he threw away his potential to become a "legbreaker" for a cheap crook. Rocky's reply is classic in its simplicity: "It's a living." Mickey replies, "It's a waste of life."
Back to the scene. We learn that Mickey's life has been discouraging too. He sees in training Rocky a chance to have his shot. Mickey's humble request brings out repressed resentment from Rocky. In the superb scene, Rocky rebuffs Mickey. As Mickey continues, Rocky, back to Mickey, loses his temper. Rocky's pent-up rant spills out for a long time, continuing as a defeated Mickey leaves his studio apartment and walks the street. The climax of the scene again reveals Rocky's humanity. He follows Mickey down the block and catches him. Mickey flinches for a split second but Rocky puts his arm around him. The audience can't hear but you know he's accepting his help.
Some other scenes include Rocky gently letting Adrian know what a pretty woman she is on their Thanksgiving date. Another is Rocky in the gym, seeing Adrian's jealous but cowardly brother Paulie (Burt Young). Paulie had earlier caused drunken havoc at Adrian's home, threatening Rocky. Rocky had easily repelled him. But it was an ugly scene. At the gym Rocky's forgiving nature again reveals itself, allowing Mickey to earn $3,000 by arranging to have his work place an ad on his entrance robe for the big fight.
More scenes: In the opening club fight, Rocky, in the corner between rounds, takes time to assure a bet-happy bum he can KO his opponent in the next round. In another, Rocky, working for the loan shark, disobeys his boss and does not break the thumbs of a debt-ridden bet loser who hasn't paid. Finally, I like the quiet dignity of Rocky, alone in the arena the day before the fight, telling condescending promoter Jergens that his trunk's colors are wrong on the poster. Jergens feels it's no big deal, telling Rocky he'll "put on a good show."
By the way, my favorite two seconds in the big fight is a camera cut away to Jergens in Round 2. He is puffing on a cigar in Row 1, eyes fixed, with an understated shocked look on his face that the club-fighting underdog has Creed on the ropes and is tagging him right on the chin.
One more thing: The ensuing bout between Rocky and Creed (Carl Weathers), while over the top, is quite realistic. You can imagine a real fight like that. As the franchise went on, Rocky's ensuing fights became absurd, unrealistic slugfests.
Also, Stallone's Rocky hides his embarrassment at "cheap shots" from insulting TV sports journalists by being blustery and witty at the end of a TV interview. The night before the bout, he confesses to Adrian going the distance is more important than winning. If he does that, he'll know he wasn't just another bum from the neighborhood.
Here's two paragraphs for boxing nerds like me: Rocky calls himself a club fighter to Jergens, and it's true that the opening fight in the film is a club card. Rocky nets less than $40 for the win. But was Rocky always a club fighter? I say no. His record is listed as 44 wins and 20 losses. That is the record of a good journeyman heavyweight. When they choose Rocky as an opponent, although unmentioned, Jergens and Creed are perusing a record book of decent to great heavyweights. Rocky's in there. I think Rocky was until very recently a working, main-bout heavyweight, winning more than not but losing the bouts against contenders and top prospects. To sum up, I think he's given up his career dreams to work for a loan shark but still loves the sport enough to fight in the clubs. That underscores Mickey's irritation at him early in film.
So why am I ruminating such poppycock? Because I think an excellent prequel series on Rocky Balboa could be a streamer series or movie. We could see Rocky as a young prospect, his early hopes and then the ensuing discouragement of losing to top heavies of the previous decade: Sonny Listen, Floyd Patterson, Jerry Quarry, Oscar Bonavena, Jimmy Ellis, even Joe Frazier? I heard a Rocky prequel might be in works, but I doubt they'd take this appoach.
